Saturday, March 9, 2019

“Everyday Use” by Alice Walker Essay

In the short story Everyday Use by Alice Walker, she introduces a rural black family who struggle with the significance of heritage. To florists chrysanthemum, the narrator, and Maggie, the youngest daughter, heritage is whom they be, where they acclaim from, and the perfunctory use of the things around them. Dee, the oldest daughter, has rejected her heritage from the beginning. She wants the better things in life and goes off to college to find them. On her return, she go forms to cod a newfound sense of heritage. through a opposition about family quilts, mammy palpableizes that Dees view of heritage is that of artistic and aesthetic value not the unremarkable use of the objects that hold significant meaning in Mama and Maggies lives.Walker portrays one meaning of heritage in her descriptions of Mama and Maggie. Mama says she is a big boned woman with man-working turn over. She wears flannel nightgowns, overalls, and has fat to stay on me Mama warm in zero weather (Wal ker 655). She can in like manner murder and clean a hog as well as any(prenominal) man. Mama is even proud of the f spell that she sweeps the dirt yard so clean that is like an ext annuled donjon room (654). Likewise, Maggie is not a beautiful girl. She has burn scars on her arm and legs and does everything she can to hide them. She is uneducated, as is Mama, and shuffles her feet like a lame animal (655). Maggie is affected greatly as the first house burns to the ground.Mama states her Maggie eyes seemed stretched open, blazed open by the flames (655). Maggie understands the link to her heritage is burning with the house. Maggie knows how to quilt because Grandma Dee and Big Dee taught her, as they have taught Mama. Through these descriptions, Walker gives a sense of poverty, but also shows that the lessons taught to Mama and Maggie by their ancestors be what keep them alive. They can feed themselves, textile themselves, and are self-sufficient, even if they do not have mon ey. Mama and Maggie are proud of where they come from and the fact that they are keeping the traditions alive by dint of their everyday lives.Dee, on the other hand, has rejected her heritage from the beginning. Dee always wants thin things, remarks Mama. She wants black shoe for a green outfit and a scandalmongering dress to wear to her graduation even though thesethings are unenviable for the family to come by. When the first house burns to the ground, Dee just stands by the channelize with a look of concentration on her face (655). Dee feels no connection to the house as part of her heritage and is glad to watch it burn. Dee also rejects her heritage by rejecting who her mother is.Mama explains that Dee wants a mother who is a hundred pounds lighter and glamorous. Dee does not appreciate the knowledge of her past that is surviving within and finished her mother. At the first chance Dee gets, she runs off to college to outmatch her self from her family and the poor life sh e is leading. Ironically, the money to send Dee to college is raised through one of the oldest traditions, her mothers church. Dee does not realize the significance of this act as part of her heritage, nor does she care. Dee has finally accomplished her goal, getting away from the family and the traditions she despises.Upon Dees return home, she seems to have a newfound sense of heritage. She takes pictures of Mama, Maggie, the house, and a frighten that wanders by. The house that she despises has now become a focal point to her. At dinner, Dee is excited about the food Mama prepares and Mama comments, everything delights her (658). Dee is intensely enkindle in the benches her father has built and the origins of an old dasher and turn top. It is Maggie who tells Dee the origins of the items by commenting the auntie Dees first husband whittled the dashthey called him Stash (658). Dee now seems to titty the heritage she so quickly distances herself from in the beginning. She gives a sense of judgment for the things she once found to be vile and an appreciation for her mother and sister. until now though Dee is pursuited in her heritage, Mama realizes that Dee is still distancing herself from the family and the unbowed meaning of her heritage. When Dee first returns home, she informs Mama and Maggie that she has changed her name to Wangero because she could not stand being named afterward the people who oppress her (657). Mama informs her that the name Dee can be traced tush through the family tree to the Civil war and even before that. Dee dismisses this explanation. Through the changing of her name, Dee feels that she has connected with her African roots. However, she is authentically disconnecting herself from the roots of her family. Dees interest in Mamaseveryday items of the dasher and turn top is strictly atheistic. She tells Mama she will do artistic things with the item. All Dee can see in the items is the value they hold as art objects.The fi nal confrontation occurs when Dee goes to the foot of Mamas bed and takes family quilts from the trunk. Mama tells Dee she has promised the quilts to Maggie and Dee flies into a rage. She tells Mama that Maggie does not understand the value of the quilts and that Maggie would be backward luxuriant to put them to everyday use (659). Mama tells Dee she hopes Maggie will use the quilts because that is what they were do for. When Mama asks Dee what will she do with the quilts, Dee responds that she will hang them on the wall. By hanging the quilts on the wall, Dee is further distancing herself from her heritage turning it into a portion of artwork. Mama has a revelation as Maggie walks into the room. She tells Mama Dee can have the quilts because she can member Grandma Dee without the quilts (659).Mama realizes that Maggie is the one that has a real meaning of their heritage. Maggie knows how to quilt because her ancestors taught her. Maggie knows the stories behind all of the things in the house that she and Mama put to everyday use. Maggie is the one that understand that heritage is the knowledge and memories that are inside her, not tangible objects. Mama rips the quilts from Miss Wangeros hands and places them in Maggies lap (659). At this, Dee venomously tells her mother and Maggie that they do not understand their heritage. The irony is that it is Dee that does not understand her heritage. As she leaves, Dee places a large pair of sunglasses on her face that hide everything preceding(prenominal) the tip of her nose and her chin (660). Dee is once again hiding who she truly is behind a false faade that she has created a creation that springs from the rejecting and perverting of her true heritage.Through Mama, Maggie, and Dee, Alice Walker gives a true definition of the word heritage. inheritance is what is inside Mama and Maggie, the memories and the skills they have inherited from their kindred. True heritage comes from the everyday use of the memories a nd skills that are passed down from generation to generation. Dee personifies what heritage is not. Heritage is not hung on a wall, admired for its beauty, and then forgotten. Heritage isa living entity to be built upon by future generations. Mama realizes this in the end and sees that Maggie is the future of their heritage.

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